Last but not least, Haken was met with deafening applause as they stormed the stage. Appropriately, they began with the peaceful opening of The Mountain, “The Path.” Although it was heavier and more distorted than the studio version (a comparison that could be made for the whole set, actually), it nonetheless retained the official. Back by popular demand is the ever-popular The Piano Guys. Hailing from Utah, The Piano Guys are four dads who became an Internet sensation by way of their immensely successful series of strikingly original self-made music videos. They’ve made more than 50 videos since early 2011, including their hit, an innovative multi-handed version of One Direction’s “What Makes You Beautiful” and a gorgeous reinvention of the hit song “Let It Go” from Disney’s Frozen. It’s the Guys’ highly original blend of classical music with pop that has really been the cause of an Internet phenomenon and has led to over 500 million YouTube views. It is their endearing personalities along with their obvious will to inspire young and old, which keeps the fans coming back for more. For more information, please visit their. (Francisco Kjolseth| The Salt Lake Tribune) Always having fun, The Piano Guys gather in their home studio in Sandy recent. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys cellist Steven Sharp Nelson plays one of his instruments in th. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt works through the segment of a musical piece as the band. (Francisco Kjolseth| The Salt Lake Tribune) Members of The Piano Guys musical group, including videographer Paul Anderson. (Francisco Kjolseth| The Salt Lake Tribune) Making the music come together, cellist Steven Sharp Nelson and music produce. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt is constantly practicing as one of the four members of Th. (Francisco Kjolseth| The Salt Lake Tribune) Always having fun, The Piano Guys gather in their home studio in Sandy recent. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt, left, and cellist Steven Sharp Nelson, two of the four t. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys videographer Paul Anderson, left, and music producer Al van de. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CDs while gathered tog. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CD's while gathered to. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CDs while gathered tog. (Francisco Kjolseth| The Salt Lake Tribune) Always having fun, The Piano Guys gather in their home studio in Sandy recently as they get ready for an upcoming show. Clockwise from left, videographer Paul Anderson, music producer Al van der Beek, cellist Steven Sharp Nelson and pianist Jon Schmidt maintain a close bond and are always quick with a tease or a joke while making music. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys cellist Steven Sharp Nelson plays one of his instruments in the sound booth of the band's home studio in Sandy. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt works through the segment of a musical piece as the band The Piano Guys prepares for an upcoming show. (Francisco Kjolseth| The Salt Lake Tribune) Members of The Piano Guys musical group, including videographer Paul Anderson, pianist Jon Schmidt, music producer Al van der Beek and cellist Steven Sharp Nelson, work on the possibilities for an upcoming show at their home studio in Sandy recently. (Francisco Kjolseth| The Salt Lake Tribune) Making the music come together, cellist Steven Sharp Nelson and music producer Al van der Beek work through a music number for an upcoming show at their home studio in Sandy. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt is constantly practicing as one of the four members of The Piano Guys musical group prepares for an upcoming show at the band's home studio in Sandy. (Francisco Kjolseth| The Salt Lake Tribune) Always having fun, The Piano Guys gather in their home studio in Sandy recently as they get ready for an upcoming show. Clockwise from left, videographer Paul Anderson, music producer Al van der Beek, cellist Steven Sharp Nelson and pianist Jon Schmidt maintain a close bond and are always quick with a tease or a joke while making music. (Francisco Kjolseth| The Salt Lake Tribune) Pianist Jon Schmidt, left, and cellist Steven Sharp Nelson, two of the four that make up the American musical group The Piano Guys, joke around with one another while talking about how they first met during a visit to their home studio in Sandy recently. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys videographer Paul Anderson, left, and music producer Al van der Beek joke around the dining room table of Al's former home in Sandy turned studio for the American musical group. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CDs while gathered together at their home studio in Sandy recently. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CD's while gathered together at their home studio in Sandy recently. (Francisco Kjolseth| The Salt Lake Tribune) The Piano Guys prepare for an upcoming show by signing CDs while gathered together at their home studio in Sandy recently. Headquarters resembles the world’s politest and tidiest frat house — complete with a neat line of water bottles in place of the traditional beer-can pyramid. Posters documenting the group’s international tours fill one wall. A grand piano, specially equipped with a device that stops the hammers just short of the strings so that pianist Jon Schmidt can do his finger-strengthening exercises in silence, dominates the living room. Video cameras are positioned throughout the house to capture musical inspiration whenever it strikes. The four guys — Schmidt, Steven Sharp Nelson, Paul Anderson and Al van der Beek — spontaneously begin whistling the One Direction hit “What Makes You Beautiful” while signing box after box of CD covers around the kitchen table. The web of friendships and professional connections that gave rise to The Piano Guys is a little tricky to untangle. Anderson met Schmidt when the pianist stopped in at his shop on the way to a Tuacahn Amphitheatre gig, Schmidt met Nelson when they both played backup to folk-rock musician Peter Brienholt, and Nelson met van der Beek when the latter helped him move in down the street from van der Beek’s home. Once all the pieces came together, they started making those click-grabbing YouTube videos, which have taken them and their piano to locations such as the Great Wall of China, the ancient city of Petra in Jordan and the Christ the Redeemer statue in Brazil. The Mountain. Interesting title, especially for me as I am an enthusiastic cyclist who every year during his holidays in the Alps tries to conquer as many mountains as possible (of course with ‘natural power’ on my bike). But that’s not the theme that London based prog-orchestra Haken had in mind when writing and recording their already 3rd album called The Mountain albeitthere a certainly elements in this story about ‘Life as a journey’ that apply to climbing to the top of the mountain on your bike as well. The Mountain is a very personal theme that can relate to anybody’s life experience. Listening to their top notch musicianship one would believe that these guys must have been together for ages but it took Haken just a short period of 4 years to have the absolute summit of the progressive rock- and metal world within reach. Having released already 2 superb albums Aquarius (2010) and Visions (2011) and touring, playing with almost every top act in the genre, from Dream Theater to IQ and from Jon Oliva’s Pain to Hawkwind, the guys from London are now back with another stunning and breathtaking rollercoaster ride through countless musical styles and influences. In fact with a bit of fantasy you could explain The Mountain also as the pile of bands and influences Haken stapled together to form something shaped like a mountain and wherein Haken carved out a road to the top for themselves. Progressive rock and metal are the solid base for this structure but as we get to know on their previous albums Haken likes to spice things up with jazzy, folky, avant-gardish (or weird) sounding interludes and that’s certainly the case on The Mountain. But the main, striking element on this 3rd album are the vocal harmonizations in the style of the sadly much overlooked Gentle Giant from the far seventies. The Shulman brother’s a cappella vocal parts will surely frown many young listeners. The bouncing, odd and quirky vocals are an effective tool of dramatizing the story told, something only Spock’s Beard occasionally did as well. And here it’s vocalist Ross Jennings who does the job completely by himself, hats off! I’m only wondering how they will bring these parts live. Let’s have a closer look on the individual tracks then. ‘The Path’ starts the journey quietly with piano, strings and the soft vocals of Ross introducing the spiritual theme of The Mountain. This introspective introduction is a fine opener for the first big track ‘Atlas Stone’, a quirky piece that really starts off like an old IQ song. The guitar parts are very similar to Mike Holmes and even the vocals touches the distinct style of Peter Nicholls. But Haken quickly evolves this track taking bombastic choirs and even some funky elements into the whole, blending the different styles seamlessly. ‘Cockroach King’ is the first of 4 absolute epics on this album and it features for the first time explicitly the Gentle Giant influence: the brilliantly a cappella vocals. This is always a joy to listen to and Haken really pays tribute to this paradigmatic band. But there is much more to enjoy in this track in which the band members show-off their musicianship: progmetal riffs with a lot of twists, jazzy interludes, you name it. Complex time signatures? This challenging piece of music will for sure impress and disorientate many listeners. ‘In Memoriam’ is a relatively short song but despite the title it’s still quite heavy and has a great melodic hook. It reminds me of Spock’s Beard. The metal riffing, the GG vocals, it’s again perfectly embedded. ‘Because It’s Here ’ brings back the lyrical theme of The Path: spirituality. Again a slow, atmospheric intro with impressive choir vocals by Ross. The second part of the song brings us a ballad in which some electronic produced sounds are used. ‘Falling Back To Earth’ is the longest piece on the album, the central part, clocking almost 12 minutes. In this musical whirlwind the number of influences is countless and it’s unbelievable how Haken manages to mix these together in one smooth, captivating piece of music. I found traces of Beardfish, The Mars Volta, King Crimson, The Flower Kings, Threshold, Dream Theater and Porcupine Tree. But just listen to it and you will discover more for sure. ‘As Death Embraces’ is a deserved counter part with piano and emotional vocals, a beautiful contemplating song in which goosebumps are assured. It gives us room for another epic ‘Pareidolia’ (the psychological phenomenon of seeing ‘faces on the moon’ of hearing hidden messages when played backwards) another arduous but rewarding composition: technical proficiency meets intelligent song arrangements. Eastern influences shine through and as far as blending other bands/artist I would say this one has hints of Pain Of Salvation and Steven Wilson. ‘Somebody ’ closes off the ‘Journey of Life’ and does this once more impressively. The band clearly slows down and concentrates on a atmospheric, almost ethereal mood in the vein of Anathema. Haken keeps on growing and with their 3rd album The Mountain it is obvious that they are very near the solitary peak in their business. It was for sure a ‘hell of a ride’ to get where they are now but, to stay in the central theme, I hope that Haken has fully enjoyed this journey so far. For us listeners I hope that the guys will take a little detour before reaching the summit, because ‘what goes up must come down’.
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Job Search Hacking has been a part of computing for almost five decades and it is a very broad discipline, which covers a wide range of topics. The first known event of hacking had taken place in 1960 at MIT and at the same time, the term 'Hacker' was originated. In this tutorial, we will take you through the various concepts of Ethical Hacking and explain how you can use them in a real-time environment. Audience This tutorial has been prepared for professionals aspiring to learn the basics of Ethical Hacking and make a career as an ethical hacker. Prerequisites Before proceeding with this tutorial, you should have a good grasp over all the fundamental concepts of a computer and how it operates in a networked environment. The most exciting section of the Online Ethical hacking Course blog where I share my reviews of everything I have downloaded, bought or received as part of training. Ethical Hacking Guides Ethical Hacking eBooks & Pdf Ethical Hacking Tutorials Ethical Hacking Videos and other stuffs. For beginners, I recommend reading this article: It contains valuable resources and information on how to start your journey. Ethical Hacking eBooks, Tutorials and Guides & Pdf A Serious newbie's guide to the underground version 2 is an e-book written by ratdance. Initially planned to be a paper, the e-book is a crusade to educate the hackers that will be by laying down the foundations for beginners so that they can grasp an in-depth knowledge of hacking. Many important topics are covered and the whole is written in a simple and concise way that even 15 year old boys can understand. It is a very good start for anyone wanting to grab an ethical hacking pdf. Main Content: Wireless Networks, Cryptography (Encryption protocols), Common Attacks (Bruteforce and dictionary attacks), Networking (The OSI Model) and some more stuff. The undisputed ethical hacking e-book for any beginner out there. Hacking for dummies series contain huge amount of information on the attacks and counter attacks being employed today by both ethical and black hat hacker. Some of the skills that hackers have are programming and computer networking skills. They often use these skills to gain access to systems. The objective of targeting an organization would be to steal sensitive data, disrupt business operations or physically damage computer controlled equipment. Trojans, viruses, and worms can be used to achieve the above-stated objectives. In this article, we will introduce you to some of the ways that hackers can use Trojans, viruses, and worms to compromise a computer system. We will also look at the countermeasures that can be used to protect against such activities. Topics covered in this tutorial • • • • What is a Trojan horse? A Trojan horse is a program that allows the attack to control the user’s computer from a remote location. The program is usually disguised as something that is useful to the user. Once the user has installed the program, it has the ability to install malicious payloads, create backdoors, install other unwanted applications that can be used to compromise the user’s computer, etc. The list below shows some of the activities that the attacker can perform using a Trojan horse. • Use the user’s computer as part of the Botnet when performing distributed denial of service attacks. • Damage the user’s computer (crashing, blue screen of death, etc.) • Stealing sensitive data such as stored passwords, credit card information, etc. • Modifying files on the user’s computer • Electronic money theft by performing unauthorized money transfer transactions • Log all the keys that a user presses on the keyboard and sending the data to the attacker. This method is used to harvest user ids, passwords, and other sensitive data. Expand Your Knowledge Today. HackersOnlineClub is the World's Largest Cyber Security Community with over 1 Million members. HackersOnlineClub's mission is to provide the opportunity to learn Cyber Security, to anyone, anywhere, who wants that opportunity. We are working to make the cyber security industry a more. • Viewing the users’ screenshot • Downloading browsing history data What is a worm? • Install backdoors on the victim’s computers. The created backdoor may be used to create zombie computers that are used to send spam emails, perform distributed denial of service attacks, etc. The backdoors can also be exploited by other malware. • Worms may also slowdown the network by consuming the bandwidth as they replicate. • Install harmful payload code carried within the worm. What is a Virus? • A virus is a computer program that attaches itself to legitimate programs and files without the user’s consent. Viruses can consume computer resources such as memory and CPU time. The attacked programs and files are said to be “infected”. A computer virus may be used to; • Access private data such as user id and passwords • Display annoying messages to the user • Corrupt data in your computer • Log the user’s keystrokes Computer viruses have been known to employ social engineering techniques. These techniques involve deceiving the users to open the files which appear to be normal files such as Word or Excel documents. Once the file is opened, the virus code is executed and does what it’s intended to do. Trojans, Viruses, and Worms counter measures • To protect against such attacks, an organization can use the following methods. • A policy that prohibits users from downloading unnecessary files from the Internet such as spam email attachments, games, programs that claim to speed up downloads, etc. • Anti-virus software must be installed on all user computers. The anti-virus software should be updated frequently, and scans must be performed at specified time intervals. • Scan external storage devices on an isolated machine especially those that originate from outside the organization. • Regular backups of critical data must be made and stored on preferably read-only media such as CDs and DVDs. • Worms exploit vulnerabilities in the operating systems. Downloading operating system updates can help reduce the infection and replication of worms. • Worms can also be avoided by scanning, all email attachments before downloading them. Trojan, Virus, and Worm Differential Table Trojan Virus Worm Definition Malicious program used to control a victim’s computer from a remote location. Self replicating program that attaches itself to other programs and files Illegitimate programs that replicate themselves usually over the network Purpose Steal sensitive data, spy on the victim’s computer, etc. Disrupt normal computer usage, corrupt user data, etc. Install backdoors on victim’s computer, slow down the user’s network, etc. Counter Measures Use of anti-virus software, update patches for operating systems, security policy on usage of the internet and external storage media, etc. Link to download Scripts book pdf(Basic tatics for listening 3rd edition pdf): Link to download full CD: CD1: CD2: CD3: CD4: Teacher's book: Info book: Tactics for Listening Third Edition is a practical three level listening skills course for upper secondary, college and university students. You can use it independently, or alongside other skills courses. Packed full of listening activities on every page, the course provides practice in conversation and listening across a wide range of subjects and situations. High-interest topics use practical, everyday language and lots of manageable listening tasks to engage students and keep them motivated. Each unit outlines specific listening skills, and pronunciation and conversation topics, within the context of a topical subject. Short, manageable chunks make for easy teaching – and easy learning. Task-based activities in the Tactics for Testing sections provide practice in test-taking techniques, related to several units. The Teacher’s Testing Program and Resource CD-ROM supplements your teaching with unit quizzes and worksheets. These further develop students’ confidence and their listening and exam techniques. For students, access to downloadable audio MP3 files, from the new Audio Download Center, encourages study ‘on the go’ and supplements their out of class learning. You and your students can keep track of vocabulary development with the new vocabulary index. Listed by unit, it provides a useful tool for exam preparation and testing. Nov 01, 2016 Developing Tactics For Listening Third Edition Script. Basic tactics listening unit 1 - 3rd Edition - Duration: 14:02. Thao Rua 3,968 views. In writing the TIP, the consensus panel attempted to reflect the changes of the past decade and anticipate directions that IOT may take. Day-to-day concerns and the other to study a psychoeducational topic). A third evening might include 30 minutes of individual counseling, a 90-minute family session,. Tactics for listening 3rd basic book (Worksheets vs audio Scripts book) - Tactics for Listening Basic Student Book • 1. We all negotiate on a daily basis. On a personal level, we negotiate with friends, family, landlords, car sellers and employers, among others. Negotiation is also the key to business success. No business can survive without profitable contracts. Within a company, negotiation skills can lead to your career advancement. I hope that you will join the hundreds of thousands of learners who have made “Successful Negotiation” one of the most popular and highly-rated MOOCs worldwide. In the course, you’ll learn about and practice the four steps to a successful negotiation: (1) Prepare: Plan Your Negotiation Strategy (2) Negotiate: Use Key Tactics for Success (3) Close: Create a Contract (4) Perform and Evaluate: The End Game To successfully complete this course and improve your ability to negotiate, you’ll need to do the following: (1) Watch the short videos (ranging from 5 to 20 minutes). The videos are interactive and they include questions to test your understanding of negotiation strategy and skills. You can speed up or slow down videos to match your preferred pace for listening. Depending on your schedule, you can watch the videos over a few weeks or you can binge watch them. A learner who binge-watched the course concluded that “It’s as good as Breaking Bad.” Another learner compared the course to “House of Cards.” Both shows contain interesting examples of complex negotiations! (2) Test your negotiation skills by completing the negotiation in Module 6. You can negotiate with a local friend or use Discussions to find a partner from another part of the world. Your negotiation partner will give you feedback on your negotiation skills. To assist you with your negotiations, I have developed several free negotiating planning tools that are related to the course. These tools and a free app are available at (3) Take the final exam. To successfully complete the course, you must answer 80% of the questions correctly. The exam is a Mastery Exam, which means that you can take it as many times as you want until you master the material. Course Certificate You have the option of earning a Course Certificate. 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The parameters to should be the same as those to main(), specifically main(int argc, char** argv) and, where argcp is a pointer to the program's unmodified argc variable from main. Upon return, the value pointed to by argcp will be updated, and argv is the program's unmodified argv variable from main. Like argcp, the data for argv will be updated. The next thing we need to do is call the procedure to specify the display mode for a window. You must first decide whether you want to use an RGBA (GLUT_RGBA) or color-index (GLUT_INDEX) color model. The RGBA mode stores its color buffers as red, green, blue, and alpha color components. The forth color component, alpha, corresponds to the notion of opacity. An alpha value of 1.0 implies complete opacity, and an alpha value of 0.0 complete transparancy. Color-index mode, in contrast, stores color buffers in indicies. Your decision on color mode should be based on hardware availability and what you application requires. More colors can usually be simultaneously represented with RGBA mode than with color-index mode. And for special effects, such as shading, lighting, and fog, RGBA mode provides more flexibility. In general, use RGBA mode whenever possible. The Java programming language is deployed on a variety of computing platforms that application development businesses can leverage for sales. Java runs on desktop and laptop computers as well as servers and hand-held devices. Learning Java can prove to be a challenge, however, and setting up a Java project can. RGBA mode is the default. Another decision you need to make when setting up the display mode is whether you want to use single buffering (GLUT_SINGLE) or double buffering (GLUT_DOUBLE). Applications that use both front and back color buffers are double-buffered. Smooth animation is accomplished by rendering into only the back buffer (which isn't displayed), then causing the front and back buffers to be swapped. If you aren't using annimation, stick with single buffering, which is the default. Finally, you must decide if you want to use a depth buffer (GLUT_DEPTH), a stencil buffer (GLUT_STENCIL) and/or an accumulation buffer (GLUT_ACCUM). The depth buffer stores a depth value for each pixel. By using a 'depth test', the depth buffer can be used to display objects with a smaller depth value in front of objects with a larger depth value. The second buffer, the stencil buffer is used to restrict drawing to certain portions of the screen, just as a cardboard stencil can be used with a can of spray paint to make a printed image. Finally, the accumulation buffer is used for accumulating a series of images into a final composed image. None of these are default buffers. We need to create the characteristics of our window. A call to will be used to specify the size, in pixels, of your inital window. The arguments indicate the height and width (in pixels) of the requested window. Similarly, is used to specify the screen location for the upper-left corner of your initial window. The arguments, x and y, indicate the location of the window relative to the entire display. To actually create a window, the with the previously set characteristics (display mode, size, location, etc), the programmer uses the command. The command takes a string as a parameter which may appear in the title bar if the window system you are using supports it. The window is not actually displayed until the is entered. The procedure is the first and most important event callback function you will see. A callback function is one where a programmer-specified routine can be registered to be called in response to a specific type of event. For example, the argument of is the function that is called whenever GLUT determines that the contents of the window needs to be redisplayed. Therefore, you should put all the routines that you need to draw a scene in this display callback function. The is a callback function that specifies the function that is called whenever the window is resized or moved. Typically, the function that is called when needed by the reshape function displays the window to the new size and redefines the viewing characteristics as desired. If is not called, a default reshape function is called which sets the view to minimize distortion and sets the display to the new height and width. The very last thing you must do is call. All windows that have been created can now be shown, and rendering those windows is now effective. The program will now be able to handle events as they occur (mouse clicks, window resizing, etc). In addition, the registered display callback (from our ) is triggered. Once this loop is entered, it is never exited! Check out the simple 'Hello World' program here that will create a black window with the name in the title bar. Don't worry if it doesn't seem too exciting yet - the exciting stuff will come later on. We will go step by step in building a complex OpenGL program. 10 CLS 20 PRINT 'Helloooooooooooooo, world!' 30 PRINT 'I'm learning about commands in BASIC.' 40 PRINT 'This text is being printed via the PRINT command.' 50 PRINT 'On the next line, I'll use CLS.' 60 CLS 'Now the next word would be PRINT.' 70 PRINT 'Finally, on line 80, I'll use END.' 80 END 'And return to PRINT' 90 PRINT 'this is my answer.' Output [ ] Finally, on line 80, I'D. Discussion [ ] From that example, it's fairly easy to deduce what each command does. CLS An abbreviation that stands for the words CLear Screen. In the above program, when you used CLS on line 60, all of the words that were printed to the screen were wiped away. PRINT Writes to the screen. There are commands for printing to other things, like a printer, but that's to be discussed later. Each new PRINT command will start printing on a new line. To insert a blank line, don't specify a string to print. The syntax for 'PRINT' is: PRINT '[whatever you want to be printed here]' END It stops the program at that line; that is, anything that's added after that won't show. That's why the PRINT command on line 90 didn't print anything. The END command can be included in control structures to end the program if a condition is met. This will be discussed with control structures. What is happening? Line 10 the display is cleared. Lines 20 through 50 shows first paragraph displayed. Line 60 again clears the display. Line 70 shows the message you should see after you run this program. Line 80 Ends the program. Line 90 This line helps to show that a END statement stops the program at that point. Given the state of computer speed today you should not see the paragraph displayed by lines 20 through 50, it should be cleared by the CLS statement on Line 60 before you have a chance to see it. If you slow the program down you can see the program write the message to the screen. 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X-Pack 8 adds new drivers for the following Mutoh printers: • Mutoh Blizzard 65 • Mutoh Blizzard 90 • Mutoh Rockhopper 3 65 Extreme • Mutoh Rockhopper 3 90 Extreme • Mutoh ValueJet 1204 • Mutoh ValueJet 1304 • Mutoh ValueJet 1604 • Mutoh ValueJet 1604W • Mutoh ValueJet 1614 Drivers for the following printer types have been enhanced: • Mutoh Rockhopper 3 65 • Mutoh Rockhopper 3 90 • Mutoh Falcon II RJ-8000-50 • Mutoh Falcon II RJ-8000-64 • Mutoh Falcon II RJ-8000-87 • Mutoh Spitfire 100 Extreme All new EFI Fiery XF sales will come supplied with the new X-Pack 8 drivers. Current owners of EFI Fiery XF 3.1 can download the software from the OnlineUpdater function of their RIP. # # # About EFI EFI () is the world leader in customer-focused digital printing innovation. EFI's award-winning solutions, integrated from creation to print, deliver increased performance, cost savings and productivity. 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The machine has fuses and is protected from any power surge. Remove the “HEAD LOCK.” 3. Remove all packing tape. Turn the Printer “ON.” 5. It will ask you to insert the Cleaning Cartridges, INSERT THE CLEANING CARTRIDGES AT THIS POINT. The HEAD WASH will now begin. Once the HEAD WASH is completed, the Printer will then ask you to insert The Ink Cartridges, Insert the INK CARTRIDGES now. The Printer will now do an INK FILL. Once the machine has completed the “INK FILL”, Turn the machine “OFF.” 9. Insert Media, and lower the “Media Rollers.” 10.Turn on the printer. It will now sized the media and indicate (in Millimeters) the width of the media. 12.You must press “ENTER” at this point to accept the media size. The Printer should now indicate “READY TO PRINT.” Part 2: Configuring the IP Settings. The Printer 1. The printer indicates “READY TO PRINT.” 2. Press the “MENU” button. Using the “RIGHT” arrow button scroll right once. Using the “DOWN” arrow button scroll down to “IP ADDRESS.” 5. 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Choose the “ADVANCED” button. 10.Configure these settings as indicated above. 11.Choose the “PRINTER OPTIONS TAB.” 12.Check the “ENABLE HEATER OPTIONS” and configure the settings as indicated above. 13.Press “APPLY.” 14.Open Flexi Sign Pro. Go to “EDIT” then down to “PREFERENCES.” 17.Select the “TOOLS” tab. 18.Scroll down to “RIP and PRINT” and select it. 19.Uncheck the box beside “Connect to a Local Production Manager Using TCP/IP.” 20.Put a dot beside the phrase “Always Use Production Manager Settings” 21.Press “OK.” Happy Printing. Mutoh ValueJet 1614 For the sign & display market The Mutoh ValueJet 1614 eco solvent printer, with a top speed of 18.2 m²/h, has been specifically developed for the sign & display market. Offering a media width of 1625 mm and a printing width of 1615 mm, the Mutoh ValueJet 1614 produces full-colour posters, banners, backlit panels, POS displays, notices, signs and stickers. Band free printing on the Mutoh ValueJet VJ1614 Incorporating Mutoh's i² Intelligent Interweaving technology to reduce banding, the Mutoh ValueJet 1614 will offer typical production speeds (720 x 720 dpi, 4 pass) up to 15 m²/h on banner and up to 8.6 m²/h on vinyl. The Mutoh ValueJet 1614 incorporates a new generation piezo drop-on-demand variable drop 'wide-model' print head. The 1440 nozzle head incorporates four colour sections (two nozzle rows of 180 nozzles/colour). Unwinder / winder systems Mutoh ValueJet VJ1614 Optional unwinder / winder systems are the T winder 30 take up unit, equipped with a tension bar system, for media rolls up to 30 kg and the unwinder / winder 100 system with tensioning mechanism for motorised unwinding and winding of media rolls up to 100 kg. Downloads • • • Related Products •. Programming Attiny2313 with Arduino Uno The 2313 processor is a 20 pin chip with 17 I/O pins, it do not have a ADC (analog/digital converter) It can be configured to run at 1 MHz and 8 MHz without External Crystal/Resonator 2313 pinout Connection to Arduino Download the Tiny-core here: Follow the instructions in the Connect your Arduino to the Attiny according to the picture to the right connection to Arduino: Arduino Attiny2313 13 19 PB7/SCK 12 18 PB6/MISO 11 17 PB5/MOSI 10 1 PA2/Reset 5v 20 VCC GND 10 GND • Upload the ArduinoISP to the Arduino dont't connect the capacitor yet. • Note: the ArduinoISP has some issues in ver. 1.00 • Connect a 10 µF capacitor from reset to ground on the arduino (negative side to ground) If you are using a Duemilanove use a 120 ohm resistor from reset to Vcc • Open the blink sketch from the examples->Basic->Blink • Select Attiny2313: Tools->Board-> Attiny2313@1MHZ • Select ArduinoISP: Tools->Programmer->Arduino as ISP • Upload your sketch: Select File->Upload using programmer • Connect a LED with resitor to pin PB4 (physical pin 16) • Now you should have a blinkining Led on your Attiny 2313 Note the factory default is 1MHz, if you want to run it @ 8MHz, use: burn bootloader. Select board -> Attiny2313@8MHZ Select ->Tools->Programmer->Arduino as ISP select ->Tools->Burn Bootloader Note: this step do not burn a bootloader to your chip, it is only used to set the fuses to another clock-speed. When you use it in your project, it will be a good idea to connect A 0.1 uF across VCC and GND as close to the processor as possible, and a 10 K ohm resistor from RESET to VCC. Communication with Attiny2313 It is always nice to be able to get debug information from your tiny. On an Arduino you are used to use Serial.print() for this purpose. Luckily you can use this on Attiny as well. Actually you have more options: TinyDebugSerial - comes with the core files (only output from attiny) SoftwareSerial - use the SoftwareSerial library (Input/output attiny) TinyKnockbang - use TinyISP(only output fram attiny) RELAY_SERIAL - use TinyISP(Input/output attiny) A more detailed explanation: A solution for the missing ADC Atmel has some application notes on how to make a cheap ADC, using the comparator On the Attiny2313. For example: Sadly they don't provide any programming examples. But I recently found an easy solution The sketch in the buttom of this page use a digitalRead() to measure the time in a rc-network. In the example they use a photoresistor, but you can substitute this with a potentiometer. I tried it With a 10 kOhm potmeter and a 0.1uF capacitor, which gave me readings between 0 and 600 In the sketch PIN 2, is PD2 on Attiny2313 - physically pin #4 Physical/logical pin numbers. For more technical users, rather than using the Arduino IDE, they may want to program the Trinket directly with AVR-GCC as the compiler, vi/emacs as their editor and AVRdude as the uploader. That's easy to do! Target the Attiny85 as the chip used in avr-gcc, with F_CPU at 8MHz using the internal oscillator. To use avrdude a minor change must be made to to avrdude.conf. To figure out where the avrdude.conf is, open up a command window (windows: cmd, mac: Terminal, linux: rxvt etc) and type in avrdude -v. Download Program At90s2313 With Arduino Programming. Arduino tutorial. Please let me know how to program ATMEL's AT90S2313. Download data. Download Program At90s2313 With Arduino Tutorial. Connection with ATmega8/ATmega168 etc. The lcd module can be easily connected to the any 28 pin AVR MCU like ATmega8/ATmega168/ATmega328 etc. The diagram below shows. Dieses Tutorial soll den Einstieg in die Programmierung von Atmel. Programming in a Blink example For more details on using avdude and avr-gcc, you'll need to read a detailed tutorial or book on those subjects. However, you can do a basic test by uploading the following HEX file, which will blink the #1 LED once a second on and off. (Its a bit chunky as blink.hex's go as it has all the Arduino IDE stuff in there too. If you wrote it in straight-C it would be like 100 bytes) - if you want to see the source code for this, it's basically the Arduino file->examples->basics->blink demo with 1 as the LED pin. And uploading it with the command avrdude -c usbtiny -p attiny85 -U flash:w:trinketblink.hex or, if that's giving errors, avrdude -c usbtiny -p attiny85 -D -U flash:w:trinketblink.hex (note the extra -D) As before, type out the command, then press the reset button to start the bootloader and once the red LED is pulsing, hit return When uploading, you will see a lot of avrdude: 8 retries during SPI command and similar warnings. Because of the way the ATtiny85 works, there's a small delay when writing the new program to flash, and during that delay, it cannot save the data and also send USB data at the same time. This causes the USB reply to avrdude to be delayed and avrdude to spit out the retry alert. You have been successfully subscribed to the Notification List for this product and will therefore receive an e-mail from us when it is back in stock! For security reasons, an e-mail has been sent to you acknowledging your subscription. Please remember that this subscription will not result in you receiving any e-mail from us about anything other than the restocking of this item. If, for any reason, you would like to unsubscribe from the Notification List for this product you will find details of how to do so in the e-mail that has just been sent to you! Hello all, my name is Glenn and am new to Arduino and programming micros. I have a question that some may think is foolish but I have googled for the answers but as of yet have not found any answers. I have an assortment of the older Atmel chips such as the AT90S2313, AT90S3535, etc and was wondering if I can use the Arduino programming language to program the chips? I have a Atmel STK500 to download the sketch but didn't know if everything would be compatible or not. Thank you in advance for any comment, suggestions, and guidance. Oh boy, I am sorry about the errors on the part numbers. I have the following Micro's, AT90S2313, AT90S2323, AT90S4414, AT90S8515, and the AT90S8535. They are all old stock and I don't think Atmel even makes them anymore. I bought them a while back, thinking that I would learn to program them and then I had a stroke. It has been three years since and I got the interest back up to see if I could learn to use them. While on the web, I see the Arduino and that really sparked my interest again. I am going to order a Arduino next month when I get some money saved up but in the mean while I was wondering about these Micro's that I have. I don't know whether the Arduino language which is a derivative of C. ( I think), would work with the older chips or not. Again, I am very sorry for the errors on the part numbers. It depends on how much work you want to do. You will need a bootloader and a UART in the chip. As long as the chip has a UART and enough resources to hold the bootloader you might be able modify the bootloader to work with it. Then you'd need to configure the IDE and AVRdude to recognize and work with the 'new' device. Hacking the IDE is easy, it's the bootloader that would be the bulk of the work. Even if the chip did not have a UART it could be done, but that would be a ton more work and more bootloader code to handle the bit-banging. Quote It depends on how much work you want to do. You will need a bootloader and a UART in the chip. As long as the chip has a UART and enough resources to hold the bootloader you might be able modify the bootloader to work with it. Then you'd need to configure the IDE and AVRdude to recognize and work with the 'new' device. Hacking the IDE is easy, it's the bootloader that would be the bulk of the work. Even if the chip did not have a UART it could be done, but that would be a ton more work and more bootloader code to handle the bit-banging. Download 2006 FIFA World Cup for Windows now from Softonic: 100% safe and virus free. More than 523 downloads this month. Alternative 2006 FIFA World Cup download from external server (availability not guaranteed). Alternative download. FIFA 2002 World Cup. You decide who wins the 2002 FIFA World Cup. Die Demo zum Euro Truck Simulator 2 liefert die Verbesserungen der Version 1.5.2 mit und kann per Code-Eingabe zur Vollversion freigeschaltet werden.. No approved descriptions in database. There are no descriptions available for BDFL Manager 2002 (G) in our database. You can help us out by submitting a description for this title. Chances are, that since you are here, you must have either played or are going to play this game. It would be really great if you could please submit a description for this title as that makes emuparadise.org a more complete resource for other visitors. We approve newly submitted descriptions every day and you will find that it will not take long for your description to appear in this space. Thanks a lot! Donor challenge: A generous supporter will match your donation 3-to-1 right now. Your $5 becomes $20! Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. 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Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Donor challenge: A generous supporter will match your donation 3-to-1 right now. Your $5 becomes $20! Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Donor challenge: A generous supporter will match your donation 3-to-1 right now. Your $5 becomes $20! Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages? Who’d want to read a book on a screen? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. |
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